|
Feb. 13, 2013/For Immediate Release
Media Contact: Lauren Whitaker, 336-734-2891,
whitakerl@uncsa.edu
Plays well with others:
Collaborative pianist is guest artist at UNCSA |
|
|---|---|
|
WINSTON-SALEM – What goes around comes
around and around again, at least for
collaborative pianists Anne Epperson and
Allison Gagnon. Epperson, who teaches at
the University of Texas at Austin, had
her first teaching appointment at the
University of North Carolina School of
the Arts (UNCSA). She later taught at
Cleveland Institute of Music, where
Gagnon, now a faculty-artist at UNCSA’s
School of Music, was one of her
post-graduate students.
Epperson returns to UNCSA this month as
guest artist, hosted by Gagnon.
Her schedule includes a master class
with collaborative piano duo projects
from
10 a.m. to noon on Wednesday, Feb. 20,
in Crawford Hall; a master class
with piano chamber music groups from
3:45-5:45 p.m. on Thursday, Feb. 21,
in Watson Hall; and a conversation on
professional topics from
3:45-5:15 p.m. on Friday, Feb. 22,
in Crawford.
All events are open to the public.
Music Dean Wade Weast said the pianists’
professional relationship is not a
unique pattern among musicians. “It’s a
perfect illustration of the
mentor-mentee relationship that develops
here at UNCSA, and throughout the
profession,” he said.
“Our faculty-artists work very closely
with their students, and they continue
to promote the students’ careers, to
follow their progress, and to celebrate
their success,” he added. “As a
professional musician, you are likely to
cross paths many times with your
instructors and mentors.”
Gagnon arrived at UNCSA in 1998, fresh
from her studies with Epperson, and
founded the collaborative piano program,
a specialized discipline that emphasizes
the partnership between a pianist and
vocalist or instrumentalist.
“Collaborative piano training focuses on
both the skill set the profession
demands, and the vast repertoire of
music for piano in combination with
instruments and voice. ‘Plays well with
others’ is a slogan that suits our
collaborative spirit,” Gagnon explained.
“Having Anne Epperson with us for this
residency will give our students – both
our piano students and their musical
partners – an opportunity to work with
one of the musical leaders of our time,”
she added.
“Anne has created an entire
vocabulary of collaborative instruction,
and she has a remarkable breadth of
knowledge and expertise. Her time with
us is guaranteed to be inspiring.”
Pianist Anne Epperson
enjoys a distinguished career as a
performer, recording artist, teacher and
clinician. She made her debut at age
twelve with the New Orleans Philharmonic
under Alexander Hilsberg. After studies
at Louisiana State University and the
Juilliard School, she entered graduate
school at the University of Southern
California and was appointed staff
pianist for the master classes of Jascha
Heifetz. This auspicious beginning led
to a successful career as a
collaborative partner.
Epperson has appeared in concert with
distinguished artists throughout the
United States, Canada, South America,
Mexico, Europe, Israel, Scandinavia,
Taiwan and Korea. Critics have praised
her collaborative artistry: New York
Times "..an excellent partner…technical
ability and musicality admirably
displayed…"; Seattle Times
"….extraordinarily sensitive and
well-realized work…..a gifted
accompanist…"; Los Angeles Times
"…eloquent support.."; Cleveland Plain
Dealer "…Epperson is a chamber music
pianist with few peers…."
From 1980-89 she toured the U.S. as
pianist with the Canterbury Trio, under
the auspices of Columbia Artists
Management, Inc. She has recorded for
Vanguard, Musical Heritage Society,
Nonesuch, Centaur, Koch International
and Claves and has produced and edited
recordings for Nonesuch and Azica.
Her career as an educator is equally
impressive. In the fall of 2008 she
inaugurated the new Collaborative Piano
Department at the University of Texas at
Austin's Butler School of Music. From
2004-2008 she was Professor of
Collaborative Piano at the University of
Colorado at Boulder's College of Music,
where she created and developed a new
graduate degree program. She was
Professor of Music and Director of
Collaborative Arts at the University of
California – Santa Barbara from 2001 –
2004 and from 1985 – 2001 she was head
of the Collaborative Piano Department (a
department and degree program that she
created) at the Cleveland Institute of
Music. Previous faculty positions
include teaching appointments at the
University of Illinois and the
University of North Carolina School of
the Arts.
She has been juror for many prestigious
competitions, including the Walter W.
Naumburg Foundation competitions, the
Fischoff, Coleman and Plowman Chamber
Music competitions, the New Orleans
International Piano Competition, the
Corpus Christi International Young
Artists Competition and the Los Angeles
Music Center Spotlight Awards. Epperson
has been a panelist, lecturer, performer
and master class presenter for the Music
Teachers National Association, National
Conference on Piano Pedagogy, the
Colorado Music Teachers Association, the
Indiana Music Teachers Association, the
South Carolina Music Teachers
Association, the Oklahoma Music Teachers
Association and the Vocal Arts Resource
Network in Ohio. In the spring of 2005,
she presented a week-long series of
master classes in Seoul, Korea. She is
active as a consultant and advisor in
the development of collaborative piano
programs nationally and internationally.
Epperson was on the faculty of the Music
Academy of the West in Santa Barbara
from 1992-2006, teaching, performing and
administering the collaborative piano
program she designed. Since the summer
of 2007, she has been a member of the
artist faculty at the Colorado College
Summer Music Festival in Colorado
Springs.
She has been a guest performer and coach
at the Sarasota Music Festival, the
International Festival–Institute at
Round Top, the Garth Newel Summer
Festival, the Taos Chamber Music
Festival, the Scotia Festival, Chamber
Music Northwest, and the Meadowmount
School for Strings. She will be the
guest teacher/coordinator of the
collaborative program at the Aspen Music
Festival in the summer of 2013.
Allison Gagnon
directs the Collaborative Piano Program
at UNCSA, where she created the graduate
program in collaborative piano and
developed the school’s collaborative
skills courses for students
concentrating in piano.
She received a bachelor’s degree from
Queen’s University in Kingston Ontario,
the Konzertdiplom from the
Hochschule für Musik in Vienna, Austria,
a master’s degree in piano accompaniment
from McGill University in Montreal, and
a Doctor of Musical Arts from Cleveland
Institute of Music.
Acclaimed for her performances with both
instrumental and vocal colleagues,
Gagnon has appeared in recital in Europe
and throughout Canada and the United
States, and has performed as a
competition pianist for prize-winners in
Canada and the U.S. Her performances
have been recorded for broadcast on both
the English and French networks of the
CBC in Canada, and for NPR, as well as
on CD.
She has given master classes across the
US, as well as in Canada and Norway, and
related presentations entitled Knowing
the Score and Pianists or Plug-Ins? Her
edition of the piano reduction for
Ernest Chausson’s Poème, op.25 for
Violin and Orchestra was published in
2009, and her CD recording with UNCSA
colleague Judith Saxton was distributed
globally by the International Trumpet
Guild in 2011.
Gagnon’s students have gone on to
professional work in Canada, South
Korea, and across the U.S., winning
staff/faculty positions in New York,
North Dakota, Tennessee and Texas. In
2012, two of her students were awarded
Lincoln Center Fellowships by UNCSA’s
Kenan Institute for the Arts.
As America’s first state-supported arts
school, the University of North Carolina
School of the Arts is a unique
stand-alone public university of arts
conservatories. With a high school
component, UNCSA is a degree-granting
institution that trains young people of
talent in music, dance, drama,
filmmaking, and design and production.
Established by the N.C. General Assembly
in 1963, the School of the Arts opened
in Winston-Salem (“The City of Arts and
Innovation”) in 1965 and became part of
the University of North Carolina system
in 1972. For more information, visit
www.uncsa.edu.
###
|
|