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March 2, 2012/For Immediate Release / High-res images available
UNC SCHOOL OF THE ARTS TO UNVEIL
World Premiere of David Rambo’s “Babbitt,”
American Premiere of |
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WINSTON-SALEM, N.C. – A momentous
confluence of events will bring a world
premiere and an American premiere to the
University of North Carolina School of
the Arts (UNCSA) the weekend of April
5-7.
UNCSA will present the world premiere of
David Rambo’s Babbitt, adapted
from the satirical novel by Sinclair
Lewis, April 4-14, and the American
premiere of Shakespeare’s spirited
comedy Much Ado About Nothing
with Erich Wolfgang Korngold’s complete
score in a fully staged production March
29-April 7. Both productions will be
presented on the UNCSA campus, located
at 1533 South Main St., Winston-Salem.
“Only at a university such as ours can a
weekend of ground-breaking stage
productions such as these be fully
realized,” said UNCSA Chancellor John
Mauceri, a world-renowned conductor with
Grammy, Tony and Emmy awards to his
credit. “With conservatories of drama,
music, design & production, dance, and
filmmaking, UNCSA has the unique
capability to bring its expertise to
bear on creating historically
significant performances.” |
John Mauceri John Dillon, l, and David Rambo at first read-through. Photo by Brent LaFever
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Babbitt
is directed by guest artist John Dillon, who is known
for staging new works around the world by playwrights
such as David Mamet, Romulus Linney, Larry Shue, and
David Rambo. In addition to authoring numerous plays and
adaptations, David Rambo wrote and/or produced “CSI:
Crime Scene Investigation” – the most-watched TV program
in the world – for seven seasons and has a new series,
“NYC 22,” premiering on CBS on April 15.
Set in the 1920s, Sinclair Lewis’ novel introduces
George Babbitt, a prosperous partner at a real estate
firm in the fictitious town of Zenith. An everyman who
conforms without question to prevailing
upper-middle-class standards, Babbitt eventually becomes
dissatisfied with the American Dream and turns away from
materialism, greed and commercialism – themes being
played out today with the Occupy movement.
Rambo’s lively stage adaptation will vividly reflect the
colorful and raucous “Roaring Twenties” – but will also
send a serious message by conveying the importance of
substance over style. “The themes are amazingly
contemporary,” said Chancellor Mauceri, who is a close
personal friend of Rambo, who adapted the screenplay of
SUNSET BOULEVARD for the Hollywood Bowl Orchestra’s
unique performance of the screenplay with the complete
Academy Award-winning score of Franz Waxman played as
underscoring.
“That was one of the unique moments in the Bowl’s
history, and the very first time a complete film score
was played live to a live performance of a screenplay –
not the showing of the film,” Mauceri noted.
Interestingly, the upcoming UNCSA production of Much
Ado About Nothing will mark the first time the
complete Korngold score has been performed with the
Shakespeare play in the United States. Indeed, it will
be the first fully integrated production since the music
was outlawed by the Nazis in 1933.
“This UNCSA production will afford audiences the rare
opportunity to experience a type of theatre which was an
entire genre from the 18th century to the
first part of the 20th and is now, for all
practicality, extinct,” said Chancellor Mauceri, who is
Musical Director for Much Ado. “Before there was
movie music, there were fully staged plays with
orchestral music played live, in the pit. Now, we have
the opportunity to bring that magnificent art form back
to life once again,” said Mauceri, who is perhaps the
world’s foremost expert on film music.
A new edition of the score has been prepared by the
music-publishing house, Schott, in collaboration with
Maestro Mauceri for these performances. The original
conductor’s score (used by Korngold) and the set of
parts used for the world premiere performances
photocopied from the Austrian National Archives (Oesterreichische
Nationalbibliothek) have been made available to guide
the restoration.
“Just as Beethoven wrote music for Goethe’s Egmont,
and Schubert composed for the stage (Rosamunde),
Mendelssohn (A Midsummer Night’s Dream),
Tchaikovsky (Hamlet), Shostakovich (Hamlet),
Prokofiev (Eugene Onegin), and Sibelius (The
Tempest) are just a few of the great composers whose
work for the dramatic stage is simply unaffordable in
today’s professional theatre economy,” Chancellor
Mauceri continued. “It is my hope that in recreating
this form of symphonic theatre, the public might better
understand that music for the cinema is part of a much
older tradition that emanates from Europe’s great
theatres.”
Much Ado about Nothing
will be directed by UNCSA School of Drama Assistant Dean
Bob Francesconi, distinguished teacher of acting,
movement and mask, who has served on the faculty since
1978.
The Much Ado cast features the fourth-year
undergraduate students in UNCSA’s School of Drama. The
chamber orchestra comprises high school, college and
graduate instrumentalists in the university’s School of
Music, and will be conducted by Chancellor Mauceri.
The scenic designs for Much Ado are by John V.
Bowhers, a fourth-year college student in the
university’s School of Design & Production and the
winner of the 2012 U.S. Institute for Theatre
Technology’s W. Owen Parker Award, the highest award for
a student scenic designer in the United States. The
costumes will be designed by UNCSA’s Christine Turbitt,
Director of the Costume Design and Technology Program,
who has served on the UNCSA faculty since 1974.
The large Babbitt cast features the third-year
undergraduate students in UNCSA’s School of Drama.
The scenic designs for Babbitt are by Katie Dill,
a college senior in the School of Design & Production,
who has created a large archway modeled after a Mobius
strip that symbolizes Babbitt’s journey. It will be
painted as a mural of art deco images depicting the city
of Zenith and its suburbs. Babbitt costume design
is by third-year student Andrea Washington.
All elements of both productions will be constructed by
the students of the school, under the mentorship of
their professional faculty.
Much Ado
performances will take place in Agnes de Mille Theatre
on the UNCSA campus, at 8 p.m. March 29-31 and April
5-7, and at 2 p.m. March 31 and April 7.
Babbitt
performances will take place in the Catawba Theatre of
Performance Place on the UNCSA campus, at 8 p.m. April
4-7 and 11-14, and at 2 p.m. April 14.
For more information and ticket reservations, contact
the UNCSA Box Office at 336-721-1945, or visit
www.uncsa.edu/performances.
As America’s first state-supported arts school, the
University of North Carolina School of the Arts is a
unique stand-alone public university of arts
conservatories. With a high school component, UNCSA is a
degree-granting institution that trains young people of
talent in music, dance, drama, filmmaking, and design
and production. Established by the N.C. General Assembly
in 1963, the School of the Arts opened in Winston-Salem
(“The City of Arts and Innovation”) in 1965 and became
part of the University of North Carolina system in 1972.
For more information, visit
www.uncsa.edu.
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For more information about UNCSA’s Much Ado About
Nothing, see:
www.uncsa.edu/muchado
For more information about UNCSA Chancellor John
Mauceri, see:
http://www.uncsa.edu/chancellor/biography.htm and
www.johnmauceri.com.
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