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April 1, 2011/FOR IMMEDIATE RELEASE
UNCSA TO PRESENT ALL-SCHOOL PRODUCTION OF
Show Opens This Month!
Directed by Terrence Mann |
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When
“An archival restoration of all the
production elements of
Theodore Chapin,
President and Executive Director of The
Rodgers
&
Hammerstein Organization,
said,
“For John Mauceri to conceive the idea
of an
“Terrence Mann is one of UNCSA’s most
accomplished alumni. He was, in fact,
the Dean of the
Musical Director for
UNCSA faculty from the School of Design
& Production are working from archival
photography, extant designs, published
records and the supervisory input of the
legendary Gemze de Lappe, who danced in
the original national tour (1943), the
original Broadway production (during its
run, in 1946), the replication of the
original production for London’s Drury
Lane Theatre (1947), the Australian
premiere (1948) and the subsequent
European production in the early 1950s.
She was frequently called upon to teach
and train the actors and the singers in
the various productions seen throughout
the world. All the scenic designs of
Lemuel Ayers are under the supervision
of UNCSA faculty member Howard Jones,
and already have been painted and built
on campus by the students. The 110
costumes designs of Miles White have
been recreated by UNCSA faculty member
Bill Brewer, along with Christine
Turbitt. The fabrics have been bought
and many are being dyed and appliquéd to
represent the brilliantly colored and
varied textures of the 1943 production
and its various replications. Every
costume is being built from newly
recreated patterns and by the students.
“Miles White is generally considered the
father of Broadway costume design,”
Chancellor Mauceri said. “We were amazed
to find the original swatch book at the
Museum of the City of New York and,
together with some very creative
sleuthing and the very precise memories
of Gemze de Lappe, the public will
experience something quite astonishing
and brilliant. In addition, Lemuel Ayers
brought a sensibility of the WPA artists
and the folk art of Grandma Moses, as
well as the turbulence of dust bowl
artist, Alexander Hogue and the sweep of
regionalists, Thomas Hart Benton and
Grant Wood. Together with Agnes de
Mille’s choreography, the scenic and
costume designs continued and expanded
the story being told by Hammerstein’s
words and Rodgers music, as if one
person had created the production.”
The cast for
Oklahoma! is drawn from the students
at UNCSA, America’s first public arts
conservatory. The mission of the school
is to train young people to become
professional artists. Alumni from UNCSA
can be found throughout the professional
world, on Broadway, in Hollywood, at the
greatest opera houses and ballet and
dance companies, and as designers and
managers in virtually every field of the
performing arts.
Complete Quotation from Theodore Chapin,
President of R & H Organization.
9/28/10
“There is no better person to spearhead
this unique production of OKLAHOMA! than
John Mauceri.
From my first days here at
Rodgers & Hammerstein, John has been a
tireless pioneer in the American Musical
Theater, bringing his extraordinary
musicianship to a world that at the
time, hadn't really begun to get the
artistic recognition it deserved.
But one step at a time, John has
been at the forefront of the movement,
starting with the Broadway revival of ON
YOUR TOES
in
1983 (that was his idea), through his
years at the Hollywood Bowl where he
created the most imaginative programs
blending musical theater (sometimes
concert versions of entire shows) with
music from the American repertoire (who
else would have thought to play "Victory
At Sea" as a prelude to a segment from
SOUTH PACIFIC placing the audience in
the proper aquatic geography?)
He garnered the trust of the
Rodgers and Hammerstein family along the
way, prompting the first-ever recording
of all the Overtures from the Rodgers &
Hammerstein musicals - still one of my
all-time favorite albums.
For him to conceive the idea of
an OKLAHOMA! as close to exactly how it
was then, may seem like a simple idea,
but no one has had it before.
It is sure to add an invaluable
piece to both the historic and
performance history of a musical that
has long been acknowledged as the one
that galvanized an entertainment genre
into an American art form.”
The full performance schedule for
Oklahoma! is:
April 28, 8 p.m.; April 29, 7:30
p.m.; April 30, 2 p.m. and 8 p.m.; May
1, 2 p.m.; May 4-6, 8 p.m.; May 7, 2
p.m. and 8 p.m.; May 8, 2 p.m. Tickets
are available at the UNCSA Box Office by
calling 336.721.1945, or online at
www.uncsa.edu/performances.
The April 29 gala is almost sold out,
but tickets are still available to the
hottest party in town: the Downtown
Hoedown (the gala after-party)! For
ticket information, call the UNCSA Box
Office at 336-721-1945, or visit online
at
www.uncsa.edu/hoedown.
Ticket prices are: Prime Orchestra,
$100; Orchestra Center,
$63 for adults and $49 for children 13
and under; Orchestra Sides and Front
Balcony, $54 for adults and $40 for
children 13 and under; Rear Orchestra
and Rear Balcony, $43 for adults and $30
for children 13 and under. For the best
deal in town take advantage of the great
prices on
Oklahoma! “Family Four Pack” (2
adults and 2 children) for the evening
performances on Wednesday, May 4, and
Thursday, May 5, only: $150 for
Orchestra Side/Front Balcony and $110
for Rear Balcony. Please note that the
ARTSCARD cannot be used for
Oklahoma! Groups of 10 or more
receive a 10% discount on every
full-priced ticket. The 10% discount for
groups may not be combined with any
other offer.
The University of North Carolina School
of the Arts is the first
state-supported, residential school of
its kind in the nation. Established as
the North Carolina School of the Arts by
the N.C. General Assembly in 1963, UNCSA
opened in Winston-Salem (“The City of
Arts and Innovation”) in 1965 and became
part of the University of North Carolina
system in 1972. More than 1,100 students
from high school through graduate school
train for careers in the arts in five
professional schools: Dance, Design and
Production (including a Visual Arts
Program), Drama, Filmmaking, and Music.
UNCSA is the state’s only public arts
conservatory, dedicated entirely to the
professional training of talented
students in the performing, visual and
moving image arts. UNCSA is located at
1533 S. Main St., Winston-Salem. For
more information, visit
www.uncsa.edu.
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